Curatorial Narrative In “What to draw and how to draw it Pl.62” Edwin George Lutz presents a figure in contemplation, its form distilled through the lens of geometric abstraction and classical fashion elements characteristic of early 20th-century modernism. Created in 1913, this work exemplifies the artist’s ability to harness fine brushwork and a predominantly black line palette against a cream background, thereby conjuring an atmosphere of quiet introspection.As one encounters “What to draw and how to draw it Pl.62” enlarged to a scale approaching sixty by forty-four inches, its spatial rhythm begins to assert itself with greater authority. The black lines, previously taut and expressive, now take on a weighty presence that commands attention from across the room. When paired with materials such as polished stone or dark wood, these lines assume an almost sculptural quality, while their minimalist chromatic structure imbues the su