Curatorial Narrative There’s Always a Woman, created in 1938 by Eric Rohman, assumes a position of quiet elegance within the Art Deco canon. The artist’s brushwork is characterized by a soft, almost whispery texture that imbues the figurative subject with an aura of subtlety and restraint. The palette, comprising orange, white, black, and red, operates within a chromatic structure that is at once luxurious and understated. The dominant orange hue serves as a masterful touchstone for the composition’s visual equilibrium, subtly offset by the darker tones that suggest depth and atmospheric weight.When enlarged to 44×63, the spatial rhythm of There’s Always a Woman undergoes a marked shift in scale behavior. The reduced spatial depth, achieved through the artist’s judicious application of chiaroscuro, begins to recede into the background, while the compositional structure becomes increasingly pronounced. In this format, the artwork ass