Curatorial Narrative Filippo Tommaso Marinetti’s “Parole in liberta; futuriste olfattive tattili-termiche Pl. 5” (1932) occupies a pivotal position within the Futurist movement, which sought to disrupt traditional representational art forms and instead harness the dynamism of industrial modernity. Created through the application of photomontage techniques, Marinetti’s work subverts expectations by presenting an abstracted, fragmented visual field that eschews the figurative in favor of a raw, unmediated experience. The artist’s deliberate rejection of traditional brushwork and composition allows the viewer to directly engage with the underlying material structure, heightening the tension between visual fragmentation and atmospheric cohesion.As “Parole in liberta; futuriste olfattive tattili-termiche Pl. 5” is enlarged to a scale suitable for a luxury interior environment (approximating 44×47 inches), its palette of yellow, red, and