Curatorial Narrative Death of the Dragon by Evelyn De Morgan presents itself as a paradigmatic example of Pre-Raphaelite excess, yet upon closer inspection reveals a remarkable restraint in its execution. Created circa 1914, this work finds itself nestled within the tumultuous years preceding World War I, an era marked by social upheaval and artistic innovation. De Morgan’s technique here is exemplary, with fine brushwork imbuing the subjects with an almost tactile quality, as if the figures are on the cusp of being released from their gilt-encrusted confines.The visual intent behind Death of the Dragon appears to be one of atmospheric weight, a deliberate slowing of time as the viewer’s gaze navigates the intricate spatial rhythms established by De Morgan. When enlarged to 62×44, the palette assumes an almost three-dimensional quality, with white and gold dominating the upper register while reds and greens conspire in the lower hal