Curatorial Narrative Bound In Morocco Haremsventyr by Eric Rohman is a prime example of Art Deco’s late flowering in 1918. At this juncture, the style had already begun to fragment, with some artists opting for a more austere, modernist aesthetic. Rohman, however, remained firmly entrenched within the Art Deco fold, producing works that still evoked the opulence and exoticism of the style’s earlier manifestations. The artist’s use of figural subjects, typically relegated to peripheral consideration in Art Deco circles, lends an air of quiet subversion to Bound In Morocco Haremsventyr.When enlarged to 44×67, Bound In Morocco Haremsventyr assumes a commanding presence within the luxury interior environment. The chromatic structure, dominated by soothing tones of green and white set against a rich brown background, contributes an air of serenity that would be difficult to resist in a high-end space. The spatial depth created by Rohman’